The Classic Collision
In the Design and Experiment workshop we study ways of architectural visualization between the past painting style renderings and the present where technology comes into play. These are how Capriccio paintings of the past could be portrayed with the technology of the 21st century and a slightly different atmosphere.
Palaeo Capriccio
Palaeo Capriccio
A Church Interior with the Presentation of Jesus in the Temple by Dirck van Delen
Dirck van Delen was a ductch painter that active in mid 17th century. He specialized in architectural paintings, especially palace perspective and church interiors. Most of the church interior paintings were influenced from the Flemish church.
A Church Interior with the Presentation of Jesus in the Temple is a scene in the Flemish church which we use all of the structure and ornaments to be the based model of the project before merged with the neo-capriccio painting.
Analysis
In this analysis, there are 5 mains elements that extract from the painting: order, orpulance, monumentality and temperance. The technique that Delen used in the painting is the hierarchy of the light. It started with the silhouette in the foreground and transferred to the bright color in the background which exaggerate the length of the nave with some mist and foggy.
Neo-Capriccio
Link To Full Resolution
Remember Me Neo Paris by Paul Chadeisson
This is a neo capriccio painting that we’ve chosen to merge its atmosphere with that of the original capriccio’s structures. The painting gives off a dystopian vibe where it is set in the future, but at the same time there are chaos and things start wearing down.
Remember Me Neo Paris by Paul Chadeisson
This is a neo capriccio painting that we’ve chosen to merge its atmosphere with that of the original capriccio’s structures. The painting gives off a dystopian vibe where it is set in the future, but at the same time there are chaos and things start wearing down.
Analysis
The cranes are rusted red in the middle with bright lights shining in the busy market streets. Fogs starts consuming the scenery but only where light is visible. In the fore ground, things are dark, taking its forms in silhouette as the bright lights in the back outlines them out. Cities are growing up vertically with neon signs flashing above the fogs. Cables hangs down from every possible surfaces as if they are struggling to hold on.
The cranes are rusted red in the middle with bright lights shining in the busy market streets. Fogs starts consuming the scenery but only where light is visible. In the fore ground, things are dark, taking its forms in silhouette as the bright lights in the back outlines them out. Cities are growing up vertically with neon signs flashing above the fogs. Cables hangs down from every possible surfaces as if they are struggling to hold on.
Immersive Capriccio
A matching view of our immersive capriccio compared to the original capriccio to give direct comparison between the two versions.
Overall views of the combined church and the dystopian future.
The video exposes beautifully shot views of the original capriccio church in three dimensions. As we approach the apse, the dystopian future comes into view as the camera moves away from the church, we see glimpses of how the church has changed. From wreckages to rusted steels, neon signs to broken down front gate, the video shows how our immersive capriccio has truly captured both the imagined spaces and atmosphere we intend to create.
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